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Four years of ‘Nothing Much Prepared’
This week in YouTube, film, and music
2026.09.18
[THE WEEKLY] Rod Wave scores a fourth No. 1 on the ‘Billboard’ 200
Rod Wave, Alex Warren, KAROL G
2026.09.17
Tomatomat revives the memory of Shibuya-kei
A 2026 counterculture built on a fondness for the early 2000s
2026.09.16
Why “The Odyssey” became a 10-million-admission hit in Korea
With an ancient classic, Christopher Nolan makes the case for the future of IMAX cinema
2026.09.16
Sooha Kim: ‘I see music as something that demands I throw myself into it each time, but in the end, it sets me free’
Musical ‘Hell’s Kitchen’ interview
2026.09.15
&TEAM and the serenade of the wolf
A review of the group’s second Korean EP, ‘Mark on Me’
2026.09.15
PARKMOONCHI’s playlist
Making the old and familiar shiny and new
2026.09.14
KATSEYE: How to be “WILD” in a world of norms
Finding wildness in a world without wilderness
2026.09.14
EPIKASE Song Battle: the Epik High odyssey
This week in YouTube, music, and books
2026.09.11
[THE WEEKLY] ENHYPEN hits No. 1 on the ‘Billboard’ 200
ENHYPEN, Ella Langley, Dolly Parton
2026.09.10
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THE INDUSTRY
[THE WEEKLY] Rod Wave scores a fourth No. 1 on the ‘Billboard’ 200
2026.09.17
FEATURE
Tomatomat revives the memory of Shibuya-kei
2026.09.16
FEATURE
Why “The Odyssey” became a 10-million-admission hit in Korea
2026.09.16
INTERVIEW
Sooha Kim: ‘I see music as something that demands I throw myself into it each time, but in the end, it sets me free’
2026.09.15
PLAYLIST
PARKMOONCHI’s playlist
2026.09.14
REVIEW
KATSEYE: How to be “WILD” in a world of norms
2026.09.14
NoW
EPIKASE Song Battle: the Epik High odyssey
2026.09.11
THE INDUSTRY
[THE WEEKLY] ENHYPEN hits No. 1 on the ‘Billboard’ 200
2026.09.10
FEATURE
CORTIS and hip hop
2026.09.10
REVIEW
NCT 127’s expanding radius, centered on Seoul
2026.09.08