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In TAEMIN’s hands, discord and tension become art
Exploring the TAEMIN-like aesthetic of his world
2026.09.22
EVAN’s playlist
Keeping things his speed
2026.09.22
BIGBANG in the present tense
The archetype shaping the future of K-pop
2026.09.21
Four years of ‘Nothing Much Prepared’
This week in YouTube, film, and music
2026.09.18
[THE WEEKLY] Rod Wave scores a fourth No. 1 on the ‘Billboard’ 200
Rod Wave, Alex Warren, KAROL G
2026.09.17
Tomatomat revives the memory of Shibuya-kei
A 2026 counterculture built on a fondness for the early 2000s
2026.09.16
Why “The Odyssey” became a 10-million-admission hit in Korea
With an ancient classic, Christopher Nolan makes the case for the future of IMAX cinema
2026.09.16
Sooha Kim: ‘I see music as something that demands I throw myself into it each time, but in the end, it sets me free’
Musical ‘Hell’s Kitchen’ interview
2026.09.15
&TEAM and the serenade of the wolf
A review of the group’s second Korean EP, ‘Mark on Me’
2026.09.15
PARKMOONCHI’s playlist
Making the old and familiar shiny and new
2026.09.14
NEW
PLAYLIST
EVAN’s playlist
2026.09.22
FEATURE
BIGBANG in the present tense
2026.09.21
NoW
Four years of ‘Nothing Much Prepared’
2026.09.18
THE INDUSTRY
[THE WEEKLY] Rod Wave scores a fourth No. 1 on the ‘Billboard’ 200
2026.09.17
FEATURE
Tomatomat revives the memory of Shibuya-kei
2026.09.16
FEATURE
Why “The Odyssey” became a 10-million-admission hit in Korea
2026.09.16
INTERVIEW
Sooha Kim: ‘I see music as something that demands I throw myself into it each time, but in the end, it sets me free’
2026.09.15
PLAYLIST
PARKMOONCHI’s playlist
2026.09.14
REVIEW
KATSEYE: How to be “WILD” in a world of norms
2026.09.14
NoW
EPIKASE Song Battle: the Epik High odyssey
2026.09.11